Maurizio Bianchi has probably been the “hyperactive child” of the evergreen Dead Kennedys’ anthem when he was a little kid, but Hue was probably following next considering the amount of releases they’re putting out recently, by the way scout’s honor so far the quality is still considerably high: they’re probably in the midst of their golden age. To create Erimos they’ve teamed up with electronic musician Fhievel and did another interesting work. This’ the sister album of Nefelodhis by MB and Hue with Sparkle in Grey (his post-rock indie-tronic combo), both the releases are quite ethereal and soft even if that has to be meant in an abstract way, this one as you may have guessed is more experimental oriented and way more cerebral. I think by some means you can distinguish the three different personalities of the team-players if you’ve heard some of their solo materials, but I’m not completely sure about what I’m writing since the blend is well assorted and they’ve probably took the unsaid mutual decision to act in symbiosis. Drones, high frequencies, concrete sounds, field recording, few instruments to throw you in a dreamlike state across a deserted area (that’s the concept of the release), consequently take for granted you’ve desolated moments, evocative melodies, melancholic atmospheres as a concept like that requires. Anyhow, thought being melancholic and evocative it’s not sad, depressed and above all far from dark ambient releases, it’s soft and it’s really close to some great documentary soundtracks you may have heard. I’m sure if you take Bertolucci’s “The sheltering sky” and you play this one in place of the original soundtrack you’ll probably think they meant it as a re-sonorization.