In this first release, Luca Bergero announces the basis of his mehod of composition and association of natural concrete sounds treated by electronic processes. Vetri Di Carta is certainly the most abstract, cryptical and conceptual album from Luca Bergero. This is a multidimensional album in touch with sound processing, kinetic waves and mathematic functions. Static sounds meet fractured electronic interferences. Disturbances and harmonies are mixed together to introduce use into a unique world of environmental sounds. For me this is absolute conrete music with imperceptible micro-sounds near to silence and sculptural-hypnotized timbres. This album can be a bit disappointed for those who are not familiar with structual and formal researches in eletro-acoustic music. A difficult listening with a lot of metaphoric sonic inclinations. Nevertheless it remains a warm decommendation for those who like subjective and fragmented concrete pieces from electro-acoustic searchers as Christian Calon (...) and silent-skeletal electronic compositions from Bernard Gunter.